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  • Opaque Silence
    Opaque Silence
    2018
    36"x40"x26"
    heated and singed Dura-lar
    960,711
    Not For Sale
  • Opaque Silence
    Opaque Silence
    2018
    36"x40"x26"
    heated and singed Dura-lar
    720,960
    Not For Sale
  • Opaque Silence
    Opaque Silence  
    2018
    36"x40"x26"
    heated and singed Dura-lar
    1080,828
    Not For Sale
  • Opaque Silence
    Opaque Silence at M. David and Co. in the Exquisite Corpse exhibition, Bushwick, NY
    2018
    36"x40"x26"
    heated and singed Dura-lar
    1080,810
    Not For Sale
  • Opaque Silence
    Opaque Silence at M. David and Co. in the Exquisite Corpse exhibition, Bushwick, NY
    2018
    36"x40"x26"
    heated and singed Dura-lar
    1080,810
    Not For Sale
  • Opaque Silence
    Opaque Silence at M. David and Co. in the Exquisite Corpse exhibition, Bushwick, NY
    2018
    36"x40"x26"
    heated and singed Dura-lar
    776,960
    Not For Sale
  • Installation view
    Opaque Silence and I Used To Live Here at M. David and Co. in the Exquisite Corpse exhibition, Bushwick, NY
    2018
    540,960
    Not For Sale
  • Opaque Silence detail
    Opaque Silence detail
    Opaque Silence at M. David and Co. in the Exquisite Corpse exhibition, Bushwick, NY
    2018
    36"x40"x26"
    heated and singed Dura-lar
    736,960
    Not For Sale
  • Opaque Silence
    Opaque Silence at M. David and Co. in the Exquisite Corpse exhibition, Bushwick, NY
    2018
    36"x40"x26"
    heated and singed Dura-lar
    1080,788
    Not For Sale
  • I Used to Live Here
    I Used to Live Here in the Exquiste Corpse exhibition at M. David & Co, Bushwick, NY
    2018
    40"x55"x32"
    inked and heated Tyvek
    540,960
    Not For Sale
  • I Used to Live Here

    I Used to Live Here in the Exquisite Corpse exhibition at M. David & Co, Bushwick, NY
    2018
    40"x55"x32"
    inked and heated Tyvek

    1000,888
    Not For Sale
  • I Used to Live Here
    with I Used to Live Here and Opaque Silence in the Exquisite Corpse exhibition at M. David & Co, Bushwick, NY
    2018
    1080,650
    Not For Sale
  • Opaque Silence_ I Used To Live Here
    Opaque Silence and I Used To Live Here at M. David and Co. in the Exquisite Corpse exhibition, Bushwick, NY
    2018
    1080,810
    Not For Sale
  • I Used to Live Here
    I Used to Live Here in the Exquisite Corpse exhibition at M. David & Co, Bushwick, NY
    2018
    615,960
    Not For Sale
  • I Used to Live Here
    I Used to Live Here
    in the Exquisite Corpse exhibition, M. David & Co, Bushwick, NY
    2018
    720,960
    Not For Sale
  • Opaque Silence_ I Used To Live Here
    Opaque Silence and I Used To Live Here at M. David and Co. in the Exquisite Corpse exhibition, Bushwick, NY
    2018
    1080,810
    Not For Sale
  • I Used to Live Here
    I Used to Live Here in the Exquisite Corpse exhibition at M. David & Co, Bushwick, NY
    2018
    720,960
    Not For Sale
  • I Used to Live Here
    I Used to Live Here  
    in the Exquiste Corpse exhibition at M. David & Co, Bushwick, NY
    2018
    1080,810
    Not For Sale
  • I Used to Live Here
    I Used to Live Here in the Exquisite Corpse exhibition at M. David & Co, Bushwick, NY
    2018
    720,960
    Not For Sale
  • Opaque Silence_ I Used To Live Here
    Opaque Silence and I Used To Live Here at M. David and Co. in the Exquisite Corpse exhibition, Bushwick, NY
    2018
    1440,810
    Not For Sale
  • I Used to Live Here
    I Used to Live Here in the Exquisite Corpse exhibition at M. David & Co, Bushwick, NY
    2018
    1440,810
    Not For Sale
  • I Used to Live Here
    I Used to Live Here in the Exquisite Corpse exhibition at M. David & Co, Bushwick, NY
    2018
    1080,810
    Not For Sale
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© Bonny Leibowitz. FolioLink © Kodexio ™ 2019
Light Weight
Light Weight  

Exploring various states of impermanence, weightlessness and transparency through my use of materials; dyed polyfoam, distressed Tyvek, pigmented wax on cut paper and singed Dura-lar, I create a visual equivalency to philosophies and spiritual practices, both secular and formal, that simultaneously speak to our collective and my personal sense of what makes us most human.

Of Robert Irwin, Calvin Tompkins has said “His work is not about light, or a record of light; it is light — the physical presence of light made manifest in sensory form"

For me it could be said, this work is not about impermanence, weightless and transparency- it is the physical presence of impermanence, weightlessness and transparency made manifest in sensory form.

"___ the delicate fleeting nature of everyday phenomena" _Matthew Eric Mendez 
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